Whatever genre he happened to be working in, director Nicholas Ray always found a way to make artful, psychologically rich work. Here, Humphrey Bogart plays a cynical, sardonic screenwriter suspected of murder. His neighbor (Gloria Grahame) is fond of him and provides an alibi, but is his darkness more than surface-deep?
About this series:
In Paris, after the World War II Nazi occupation, American crime and detective films flooded back into cinemas after a four-year absence. The moral and visual darkness of these films caused French critics and audiences to coin a new term, film noir, to describe them. The narrative directness, visual sophistication and dark humor that characterized these films have made film… noir enduringly popular. With this series, we hope to share some of the foundational films of film noir and, in our introductions to these screenings, help people understand what characterizes the genre, what it meant to audiences of its time, and what it still says to us today.
Directed by Nicholas Ray
USA, 1950, 35mm, 94 min.